Friday, 30 May 2008

Moshi Moshi // Fleet Foxes // White Williams // F. Lunaire

Don't Do It attended the Moshi Moshi Records gig last night at Hoxton Square Bar to witness the increasingly hyped (and acclaimed) Fleet Foxes play live, following their DJ set and signing at Rough Trade East just a few days ago. Here's how it went down:


The first act of the evening was London based F. Lunaire who opened his set with a keyboard and vocal led track that showcased his highly emotive voice, switching back and forth between caressing croons and Waits-esque growls, and his sensuous piano playing. His gritty urban tales are infused with a melancholy romance that, when it works, is haunting and effective. Though he (and his backing band) only played a short set, it was impressive and we're in no doubt that he has great potential as a serious pop act. The Mondestrunken EP is currently out on Stiff Records. You can also catch Lunaire playing keyboards for Kid Harpoon's band The Powers That Be.

F. Lunaire - La Lune (Live) (courtesy of Eyes For Indie)
F. Lunaire on Myspace


The next band on the bill were White Williams from Cleveland, USA. Lead singer Joseph Williams apologised for any "technical problems"; apparently some of their gear had gone missing during their travels and indeed this did effect their performance. The band got off to a rather shambolic start, Williams clearly exhausted and frustrated, but after a few songs they hit their stride, at which point they wielded their chaotic sound with intent. Mixing influences as varied as surf, stadium rock, electronica, calypso and pure pop they certainly made an interesting impression. Forced to cut their set short due to time restrictions, despite cheers from the crowd for more, they finished with a rather soulful rendition of 'Going Down', sounding like the experimental evil twin of Vampire Weekend. Their well-received debut album Smoke, mostly recorded by Williams on his laptop, is available now courtesy of Tigerbeat6 and we highly recommend it.

White Williams - Going Down (courtesy of Cubik Musik)
White Williams on Myspace

As soon as Fleet Foxes launch into their opening song after setting up it is clear by the audience's reaction who most people have come to see tonight. The band themselves are surprised by the extent of the rapturous reception, nervously smiling at one another and thanking the audience. For us it may not be so surprising; their self-titled debut album, set for release on June 3rd, has already been extensively hyped in the UK, receiving the album-of-the-month award in numerous publications, including Mojo. When we spoke to the band before their set they admitted to being rather oblivious to the media, frightened by the potentially destructive force of the hype machine. For the moment at least, they can enjoy the praise; their brand of harmonic American folk is certainly pleasing to the ears and is destined for wide appeal, falling somewhere between Iron & Wine and Yeasayer. Lead singer Robin Pecknold has an incredible voice; even singing a cappella with no accompaniment he remains pitch-perfect and expressive. The Seattle based five-piece showcase much of their new material, which the audience are already familiar with; "that's the internet for you" laughs Pecknold at one point, seated centre-stage on a rickety wooden chair, with nothing but affection, and rightfully it is nothing but affection that the audience returns to them tonight. Their self-titled LP is available through Bella Union and Sub Pop, and their equally brilliant EP, Sun Giant, is also out now.

Fleet Foxes - White Winter Hymnal
Fleet Foxes on Myspace

Moshi Moshi Music

2 comments:

steve said...
This comment has been removed by the author.
steve said...

I agree, the fleet foxes were indeed exceptional live, and i would encourage everyone to get hold of both the album and the EP, as there are beautiful songs on both. The band themselves were really approachable and thankful for the support, graciously autographing my ticket for me. Though they did seem somewhat mystified as to the response they had already generated in London, a response I'm sure they are getting used to by know though.

As for White Williams, a chance to see the band close up after seeing them from a distance when supporting Vampire Weekend at the Electric Ballroom was welcomed, although I did feel his performance disappointed and somewhat alienated, his band, and in particular is guitarist, were more than capable musically.